Pasifika (Photo credit: Gengkii) |
Dr ‘Ema Wolfgramm-Foliaki is of Tongan descent and is a lecturer at the Centre for Learning and Research in Higher Education,
University of Auckland, New Zealand.
She is particularly interested in
how Pacific Island people’s (both staff and students) experience
academia.
Throughout
my days of being a student, I struggled to find my voice in my writing.
‘I mean, what is it all about anyway?’, I used to ask myself.
The
preferred style of writing, the expectations of the academy together
with my desire to fit into a new learning environment made it all rather
scary.
I
settled into writing ‘in the third person’s voice’. I was lucky enough
though, that by the time I got to write my doctoral thesis, I had the
privilege of reading the works of Pacific Island scholars such as Konai
Helu Thaman.
I was struck by how much I could relate to her style of writing
and how easy it was to understand her message. Her style of writing was
not the ‘third person’s voice’ that I had adhered to in the belief that
this was how you do it in academia.
I
aspired to have the confidence to write like Prof Thaman - one day
maybe. When I read her work I could almost hear her talking and I could
also visualise the different nuances that a Pasifika writer could evoke
in other fellow Pacific Islanders.
She definitely has found her space
and has made it her own while at the same time doing something that is a
kind of balancing act: validating Pasifika thought and knowledge within
western constructs.
In my doctoral thesis I employed Thaman’s Kakala framework
in my data gathering process. I also used a case study format in my
results section to allow my participants’ voices to be heard.
This
partially enabled them to be part of my journey and endorsed their sense
of reality and way of speaking and thinking. I was slowly gaining
confidence to infuse my identity into how I position myself.
I
am now more confident to employ a more personal style of writing
whereby I draw on my cultural values and employ Pacific thought in my
writing.
In doing so, I acknowledge that my cultural values and
knowledge is not only relevant in this western context, but more
importantly it has a place in academia. It makes a significant
contribution.
In
writing this blog, I am reminded of Huffer and Qalo (2004), who posed
the question of whether we have been thinking upside-down in relation to
the development of Pacific thought in western constructs.
We think
upside-down when we ignore our own knowledge base and allow the dominant
construct to permeate our thinking and ways of being. Drawing from your
culture and your own identity allows you to find your voice, and
validates your worldview - and your space in academia.
Instead of thinking
upside down, now I encourage others to follow fellow indigenous
scholars by thinking from within.
Do
you have a comment on the doctoral writer’s route to finding an
authentic voice, or the need for academia to learn to hear different
accents?
We’d be especially interested in hearing from scholars who are
struggling to create voices that may not necessarily be well
represented in mainstream academic discourse.
Huffer,
E., & Qalo, R., (2004). Have we been thinking upside down? The
contemporary emergence of Pacific theoretical thought, The Contemporary Pacific, Volume 16, Number 1, 87-116.
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